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"I don't know what we're going to do with that girl."
"Now, Molly." With his eye on the mirror, Frank O'Hurley added a touch of pancake makeup to his chin to make certain his face didn't shine onstage. "You worry too much."
"Worry?" As she twisted to pull the zipper up the back of her dress, Molly remained at the dressing room door so that she could watch the corridor backstage. "Frank, we have four children and I love every one of them. But Chantel's middle name is trouble."
"You're too hard on the girl."
"Because you're not hard enough."
Frank chuckled, then turned around to scoop his wife into his arms. More than twenty years of marriage hadn't dulled his feelings for her a whit. She was still his Molly, pretty and bright, even though she was the mother of his twenty-year-old son and his three teenage daughters. "Molly, my love, Chantel's a beautiful young girl."
"And she knows it." Molly peeked over Frank's shoulder at the backstage door, willing it to open. Where was that girl? They had fifteen minutes before they were due onstage, and Chantel had yet to make an appearance.
When she had given birth to her three daughters, each within minutes of the next, she hadn't known that the first one would give her more to worry about than the other two combined.
"It's her looks that are going to get her in trouble," Molly muttered. "When a girl looks like Chantel, boys are bound to come sniffing around."
"She can handle the boys."
"Maybe that worries me, too. She handles them too well." How could she expect a man as simple and kind-hearted as her Frank to understand the complexities of women? Instead, she fell back on an old standard. "She's only sixteen, Frank."
"And how old were you when you and I—?"
"That was different," Molly said, but she was forced to laugh at the grin Frank sent her. "Well, it was." She straightened his tie, then brushed powder from his lapels as she spoke. "She might not have the good fortune to meet a man like you."
Cupping his hands under her elbows, he held her still. "What kind of man is that?"
With her hands on his shoulders, she looked at his face. It was thin, and already lined, but the eyes were the eyes of the smooth-talking boy she'd lost her head over. Though he'd never quite come up with that moon on a silver platter that he'd once promised her, they were partners in every sense of the word. For better or worse—through thick and thin. There had been a lot of thin. She'd spent more than half of her life with the man, Molly thought, and he could still charm her.
"A dear one," she told him, and brought her lips to his. At the sound of the back door closing, Molly pulled away.
"Now don't jump on her, Molly," Frank began as he caught his wife's arm. "You know it'll just put her back up, and she's here now."
Grumbling, Molly drew away as Chantel danced down the corridor. She was wearing a vivid red sweater and snug black slacks that showed off her blooming young shape. The brisk fall air had whipped color into her cheeks, highlighting already-elegant bones. Her eyes were a deep, deep blue and held a breezy, self-satisfied expression.
With her natural flair for drama and timing, Chantel paused outside the door of the dressing room she shared with her sisters. "Mom." Her lips turned up at the corners, and the smile spread farther when she saw her father wink at her over Molly's shoulder. She knew she could always count on Pop. "I know I'm a little late, but I'll be ready. I had the most wonderful time." Excitement added spark to beauty. "Michael let me drive his car."
"That fancy little red number—?" Frank began. Then he coughed into his hand as Molly leveled him with a look.
"Chantel, you've only had your license a few weeks." How she hated to lecture, Molly thought as she wound herself up for it. She knew what it was to be sixteen, and because of that she knew there was no way around what she had to do. "Your father and I don't think you're ready to drive unless one of us is with you. And in any case," she continued before Chantel could get out her first protest, "it isn't smart to get behind the wheel of someone else's car."
"We were on the back roads." Chantel came over and kissed her mother on both cheeks. "Don't worry so much. I have to have some fun or I'll just shrivel up."
Molly recognized the ploy too well, and she stood firm. "Chantel, you're too young to go off in some boy's car."
"Michael's not a boy. He's twenty-one."
"That only makes my point."
"He's a creep," Trace announced calmly as he came into the corridor. He only lifted a brow when Chantel turned on him, eyes flashing. "And if I find out he's touched you I'll rip his face off."
"It's none of your business," Chantel told him. It was one thing to be lectured by her mother, quite another to hear it from her brother. "I'm sixteen, not six, and I'm sick and tired of being hovered over."
"Too bad." He took her chin in his hand, holding it steady when she tried to jerk away. He had a rougher, masculine version of Chantel's beauty. Looking at them, Frank felt pride swell in him until he thought he was going to burst. They were the fire-eaters of the family, more like their mother than him. He loved them with all his heart.
"All right now, all right." Playing peacemaker, he stepped up. "We'll get into all this business later. Right now, Chantel has to change. Ten minutes, princess," he murmured. "Don't dawdle. Come on, Molly, let's go warm up the crowd."
Molly sent Chantel a quiet look that warned her the business wasn't over, then softened and touched her daughter's cheek. "We've a right to worry about you, you know."
"Maybe." Chantel's chin was still high. "But you don't need to. I can take care of myself."
"I'm afraid you can." With a little sigh, she walked with her husband down toward the small stage where they would earn their living for the rest of the week.
Far from mollified, Chantel put her hand on the knob of the door behind her before she faced her brother. "I decide who touches me, Trace. Remember that."
"Just make sure your friend with the fancy car behaves himself. Unless you'd like both his arms broken."
"Oh, go to hell."
"Probably will," he said easily. Then he tugged her hair. "I'll be clearing a path for you, little sister."
Because she wanted to laugh, Chantel yanked open the door, then shut it in his face.
Maddy glanced over as she buttoned the back of Abby's costume. "So, you decided to show up."
"Don't you start." Moving quickly, Chantel pulled a dress that matched her sisters' off an iron bar that spanned the width of the room.
"Wouldn't dream of it. Sounded interesting out in the hall, though."
"I wish they'd stop fussing over me." Chantel tossed the dress down, then peeled off her sweater. The skin below was pale and smooth, the curves already soft and feminine.
"Look at it this way," Maddy said as she finished Abby's buttons. "They're so busy fussing at you, they hardly ever pick on Abby and me."
"You owe me." Chantel slipped out of her slacks with brisk movements and stood in bra and panties.
"Mom really was worried," Abby interjected. Since her own makeup and hair were finished, she arranged the tubes and pots that would set Chantel's face for the stage.
Feeling a little pang of guilt, Chantel plopped down in front of the mirror the three of them shared. "She didn't have to be. I was fine. I had fun."
"Did he really let you drive his car?" Interested, Maddy picked up a brush to fix Chantel's hair.
"Yeah. It felt… I don't know, it felt important." She glanced around the cramped, windowless room with its concrete floor and dingy walls. "I'm not always going to be in a dump like this, you know."
"Now you sound like Pop." With a smile, Abby handed her a makeup
"Well, I'm not." With years of experience already behind her, Chantel added the color to her face in quick strokes. "One day I'm going to have a dressing room three times this big. All white, with carpet so thick you'll sink up to your ankles."
"I'd rather have color," Maddy said, dreaming herself for a moment. "Lots and lots of color."
"White," Chantel repeated firmly. Then she stood to put on her dress. "And it's going to have a star on the door. I'm going to ride in a limo and have a sports car that makes Michael's look like a toy." Her eyes darkened as she pulled on the dress, which had been mended too many times to count. "And a house with acres of garden and a big stone pool."
Because dreams were part of their heritage, Abby elaborated as she did up Chantel's buttons. "When you walk into a restaurant, the maitre d' will recognize you and give you the best table and a bottle of champagne on the house."
"You'll be gracious to photographers," Maddy went on, handing Chantel her earrings. "And never refuse an autograph."
"Naturally." Enjoying herself, Chantel clipped the glass stones at her ears, thinking of diamonds. "There'll be two enormous suites in the house for each of my sisters. We'll sit up at night and eat caviar."
"Make it pizza," Maddy instructed, resting an elbow on her shoulder.
"Pizza and caviar," Abby put in, then stood on the other side.
With a laugh, Chantel slipped her arms around her sisters' waists. They were a unit now, just as they had been in the womb. "We're going to go places. We're going to be somebody."
"We already are." Abby tilted her head to look at Chantel. "The O'Hurley Triplets."
Chantel looked at the reflection the mirror tossed back. "And nobody's ever going to forget it."
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The house was big and cool and white. In the early-morning hours, a breeze came through the terrace doors Chantel had left unlatched, bringing in the scents of the garden. Across the lawn, hidden from the main house by trees, was a gazebo, painted white, with wisteria climbing up the trellises. Sometimes, when the wind was right, Chantel could catch the perfume from her bedroom window.
On the east side of the lawn was an elaborate marble fountain. It was quiet now. She rarely had it turned on when she was alone. Near it was the pool, an octagonal stone affair skirted by a wide patio and flanked by another, smaller, white house. There was a tennis court beyond a grove of trees, but it had been weeks since she'd had the time or the inclination to pick up a racket.
Surrounding the estate was a stone fence, twice as tall as a man, that alternately gave her a sense of security or the feeling of being hemmed in. Still, inside the house, with its lofty ceilings and cool white walls, she often forgot about the fence and the security system and the electronic gate; it was the price she paid for the fame she had always wanted.
The servants' quarters were in the west wing, on the first floor. No one stirred there now. It was barely dawn, and she was alone. There were times Chantel preferred it that way.
As she bundled her hair under a hat, she didn't bother to check the results in the three-foot mirror in her dressing room. The long shirt and flat-heeled shoes she wore were chosen for comfort, not for elegance. The face that had broken men's hearts and stirred women's envy was left untouched by cosmetics. Chantel protected it by pulling down the brim of her hat and slipping on enormous sunglasses. As she picked up the bag that held everything she thought she would need for the day, the intercom beside the door buzzed.
She checked her watch. Five forty-five. Then she pushed the button. "Right on time."
"Good morning, Miss O'Hurley."
"Good morning, Robert. I'll be right down." After flipping the switch that released the front gate, Chantel started down the wide double staircase that led to the main floor. The mahogany rail felt like satin under her fingers as she trailed them down. Overhead, a chandelier hung, its prisms quiet in the dim light. The marble floor shone like glass. The house was a suitable showcase for the star she had worked to become. Chantel had yet to take any of it for granted. It was a dream that had rolled from, then into, other dreams, and it took time and effort and skill to maintain. But then she'd been working all her life and felt entitled to the benefits she had begun to reap.
As she walked to the front door, the phone began to ring.
Damn it, had they changed the call on her? Because she was up and the servants weren't, Chantel crossed the hall to the library and lifted the receiver. "Hello." Automatically she picked up a pen and prepared to make a note.
"I wish I could see you right now." The familiar whisper had her palms going damp, and the pen slipped out of her hand and fell soundlessly on the fresh blotter. "Why did you change your number? You're not afraid of me, are you? You mustn't be afraid of me, Chantel. I won't hurt you. I just want to touch you. Just touch you. Are you getting dressed? Are you—"
With a cry of despair, Chantel slammed down the receiver. The sound of her breathing in the big, empty house seemed to echo back to her. It was starting again.
Minutes later, her driver noticed only that she didn't give him the easy, flirtatious smile she usually greeted him with before she climbed into the back of the limo. Once inside, Chantel tipped her head back, closed her eyes and willed herself to calm. She had to face the camera in a few hours and give it her best. That was her job. That was her life. Nothing could be allowed to interfere with that, not even the fear of a whisper over the phone or an anonymous letter.
By the time the limo passed through the studio gates, Chantel had herself under control again. She should be safe here, shouldn't she? Here she could pour herself into the work that still fascinated her. Inside the dozens of big domed buildings, magic happened, and she was part of it. Even the ugliness was just pretend. Murder, mayhem and passion could all be simulated. Fantasyland, her sister Maddy called it, and that was true enough. But, Chantel thought with a smile, you had to work your tail off to make the fantasy real.
She was sitting in makeup at six-thirty and having her hair fussed over and styled by seven. They were in the first week of shooting, and everything seemed fresh and new. Chantel read over her lines while the stylist arranged her hair into the flowing silver-blond mane her character would wear that day.
"Such incredible bulk," the stylist murmured as she aimed the hand-held dryer. "I know women who would sell their blue-chip stocks for hair as thick as this. And the color!" She bent down to eye level to look in the mirror at the results of her work. "Even I have a hard time believing it's natural."
"My grandmother on my father's side." Chantel turned her head a bit to check her left profile. "I'm supposed to be twenty in this scene, Margo. Am I going to pull it off?"
With a laugh, the stringy redhead stood back. "That's the least of your worries. It's a shame they're going to dump rain all over this." She gave Chantel's hair a final fluff.
"You're telling me." Chantel stood when the bib was removed. "Thanks, Margo." Before she'd taken two steps, her assistant was at her elbow. Chantel had hired him because he was young and eager and had no ambitions to be an actor. "Are you going to crack the whip, Larry?"
Larry Washington flushed and stuttered, as he always did during his first five minutes around Chantel. He was short and well built, fresh out of college, and had a mind that soaked up details. His biggest ambition at the moment was to own a Mercedes. "Oh, you know I'd never do that, Miss O'Hurley."
Chantel patted his shoulder, making his blood pressure soar. "Somebody has to. Larry, I'd appreciate it if you'd scout up the assistant director and tell him I'm in my dressing room. I'm going to hide out there until they're ready to rehearse." Her co-star came into view carrying a cigarette and what Chantel accurately gauged to be a filthy hangover.
"Would you like me to bring you some coffee, Miss O'Hurley?" As he asked, Larry shifted to distance himself. Everyone with brains had quickly figured out that it was best to avoid Sean Carter when he was dealing with the mo
"Yes, thanks." Chantel nodded to a few members of the crew as they tightened up the works on the first set, a train station, complete with tracks, passenger cars and a depot. She'd say her desperate goodbyes to her lover there. She could only hope he'd gotten his headache under control by then.
Larry kept pace with her as she crossed the set, walking under lights and around cables. "I wanted to remind you about your interview this afternoon. The reporter from Star Gaze is due here at twelve-thirty. Dean from publicity said he'd sit in with you if you wanted."
"No, that's all right. I can handle a reporter. See if you can get some fresh fruit, sandwiches, coffee. No, make that iced tea. I'll do the interview in my dressing room."
"All right, Miss O'Hurley." Earnestly he began to note it down in his book. "Is there anything else?"
She paused at the door of her dressing room. "How long have you been working for me now, Larry?"
"Ah, just over three months, Miss O'Hurley."
"I think you could start to call me Chantel." She smiled, then closed the door on his astonished pleasure.
The dressing room had been recently redecorated for her taste and comfort. With the script still in her hand, Chantel walked through the sitting room and into the small dressing area beyond. Knowing her time was limited, she didn't waste it. After stripping out of her own clothes, she changed into the jeans and sweater she would wear for the first scene.
She was to be twenty, a struggling art student on the down slide of her first affair. Chantel glanced at the script again. It was good, solid. The part she'd gotten would give her an opportunity to express a range of feeling that would stretch her creative talents. It was a challenge, and all she had to do was take advantage of it. And she would. Chantel promised herself she would.
When she had read Strangers she'd cast herself in the part of Hailey, the young artist betrayed by one man, haunted by another; a woman who ultimately finds success and loses love. Chantel understood Hailey. She understood betrayal. And, she thought as she glanced around the elegant little room again, she understood success and the price that had to be paid for it.
Though she knew her lines cold, she kept the script with her as she went back to the sitting room. With luck she would have time for one quick cup of coffee before they ran through the scene. When she was working on a film, Chantel found it easy to live off coffee, a quick, light lunch and more coffee. The part fed her. There was rarely time for shopping, a dip in the pool or a massage at the club until a film was wrapped. Those were rewards for a job well done.
She started to sit, but a vase of vivid red roses caught her eye. From one of the studio heads, she thought as she walked over to pick up the card. When she opened it, the script slid out of her hand and onto the floor. "I'm watching you always. Always."
At the knock on her door, she jerked back, stumbling against the counter. The scent of the roses at her back spread, heady and sweet. With a hand to her throat, she stared at the door with the first real fear she'd ever experienced.
"Miss O'Hurley… Chantel, it's Larry. I have your coffee."
With a breathless sob, she ran across the room and jerked open the door. "Larry—"
"It's black the way you—What's wrong?"
"I—I just—" She cut herself off. Control, she thought desperately. You lose everything if you lose control. "Larry, do you know anything about these flowers?" She gestured back, but couldn't look at them.
"The roses. Oh, one of the caterers found them while she was setting up breakfast. Since they had your name on them, I went ahead and put them in here. I know how much you like roses."
"Get rid of them."
"Please." She stepped out of the dressing room. People. She wanted lots of people around her. "Just get rid of them, Larry."
"Sure." He stared at her back as she walked toward the set. "Right away."
Four aspirin and three cups of coffee had brought Sean Carter back to life. It was time to work, and nothing could be allowed to interfere with that—not a hangover, not a few frightening words printed on a card. Chantel had worked hard to project an image of glamour and style. She'd worked just as hard not to develop a reputation as a temperamental actress. She was ready when called and always knew her lines. If a scene took ten hours to shoot, then it took ten hours. She reminded herself of all of this as she approached Sean and their director.
"How come you always look as though you stepped out of the pages of a fashion magazine?" Sean grumbled, but Chantel observed that makeup had dealt with the shadows under his eyes. His skin was tanned and shaved smooth. His thick, mahogany-colored hair was styled casually, falling across his brow. He looked young, healthy and handsome, the dream lover for an idealistic girl.
Chantel lifted a hand and let it rest on his cheek. "Because, darling, I did."
"What a woman." Because the aspirin had made him feel human again, Sean grabbed Chantel and leaned her back in a dramatic dip. "Let me ask you this, Rothschild," he said, calling to the director while his lips hovered inches from Chantel's. "How could a man in his right mind leave a woman like this?"
"It hasn't been established that you—or Brad," Mary Rothschild corrected, referring to the role, "is in his right mind."